It is a common warning in certain circles that sharing custody a dog following a split is a terrible idea. The consensus suggests such setups impede ex-partners from moving forward, create logistical nightmares, lead to tension, and are a nuisance across the board. Apparently, in a revelation fit for a direct-to-platform film, it reportedly leads to the dogs themselves to become depressed.
While respecting the inner life of animals – countless people attest to their deep emotional capacity. If you need masterclass in canine melancholy, one need only look another performance. It seems certain that a dog like Merv, a wired-hair terrier mix brought to life by a talented dog named Gus, would struggle adjusting to life in two homes. If this concept a full holiday film around this situation works effectively seems debatable at best.Predictable Foundations
To its credit, Merv, written by its screenwriters and under the guidance of director Swale, never aspires to be more profound than its premise. This is a seasonal offering from a streaming platform giant – the ambitions are modest. The narrative unfolds as uncomplicated: a separated couple Russ, played by Charlie Cox and Anna (Zooey Deschanel), confronting that their own sadness is matched by their dog's, embark on a uplifting getaway to a canine-centric retreat. At this location, predictably, they will undoubtedly stumble toward the idea that they are better together. Ensemble players – played by Chris Redd, Jasmine Mathews, and others – serve as quirky, thinly written, or broadly comic. Its aesthetic carries the feel of a platform's in-house production, with a wintry atmosphere that is clearly manufactured – as seen in obvious snow effects clinging to verdant foliage as North Carolina substitutes for the Northeast.
Where the Film Shines
Whether these familiar elements merge into something enjoyable hinges on the strength of the performances and an acceptance of easy entertainment. For the comfort factor, Merv knows its audience – the kind who browse regularly for dog videos. The film delivers a plethora of adorable dog montages. The main attraction is the canine star, and even if it causes some clunky cuts between the pet's "lines" and the actors' responses, the movie does offer walking sequences, dog depression, and, in the end, doggie joy.
The Human Element
The same praise is not earned for the interpersonal drama. The tone shifts uneasily between serious study, zany antics, standard rom-com beats, and outright slapstick, failing to master a single genre. No blame falls on the actor playing Russ, who is fully game the absurd and awkward required by the unusual premise. His performance contains a likable self-deprecation that supplies a significant portion of the appeal for this seemingly ideal couple. Her co-star Deschanel, as is her trademark, imparts a distinctive offbeat energy that will either resonate with viewers. Her portrayal can feel a little too aloof, especially when paired with Cox's heartfelt sincerity. (It should be noted, Merv himself succeeds in acting depressed – not quite Messi from that acclaimed drama, he's definitely an excellent dog.)
Merv tries to provide depth to the central romance for moments when the dog is absent – a regrettable choice, since the title character is easily the best part of this cute-aiming movie. Unsurprisingly, it meets the bare minimum. The reason for their separation could have been more adult and realistic with more screen time and more subtle storytelling. As it stands, Merv is slight and sweet, meeting all its marks. Making a film about dog co-parenting isn't a bad idea – though it's not exactly a stroke of genius.
- Merv premieres on Prime Video on December 10th.